It all began in 1902

New Haven , Connecticut

Jacobi Press, a Latvian immigrant, settles in New Haven, CT in 1896. He intends to continue his rabbinical studies in America, but instead begins working for Goldbaum Tailors and quickly becomes a partner as Goldbaum & Press. 

In 1908, Jacobi buys out Mr. Goldbaum to form his own tailor shop to be known eponymously as J. PRESS. 

The rest, as they say, is history.

1910's

262 York Street

A Permanent Home

Jacobi Press establishes his business as the premiere tailor to the continuous influx of Yale University students. Obtaining one's first J. Press suit becomes a rite-of-passage for any underclassman.

In 1914, J. Press opens a permanent location at 262 York Street which remained the flagship in New Haven until 2013, when a winter snow storm compromised the building structure and the building had to be demolished.

1920s

Branching Out

Rooted in the Ivy League

After sustaining the business through the first World War, experiencing embargo on British goods, Jacobi manages to keep the business active by becoming a certified Military tailor by stocking and applying regulation R.O.T.C. insignia.

The business also branches out to New York City and maintains a modest presence on what is to become the mecca of Ivy menswear in the coming decades on 44th street.

1930s

A favorite among the literati

Entering the Lexicon

Already a favorite among the Ivy League crowd, J. Press becomes a mainstay in the upper echelon of New York society. Cole Porter (Yale class of 1913) mentions J. Press in the script of the hit Broadway musical ANYTHING GOES, signaling to audiences that the character is a "Yale man."

In 1936, author F. Scott Fitzgerald writes in a letter to his then-15-year-old daughter Scottie, “beware of the Yale wolves in their J. Press tweed.”

Some years later in 1955, Patrick Dennis recounts his time spent with his AUNTIE MAME during the Great Depression. A line in the memoir reads, "Auntie Mame said I looked too tatty for words and couldn't I have gone to J. Press and bought something smart?"

1940s

Predicting the inevitability of another war, Jacobi and his sons Irving and Paul purchase a surplus of goods from England anticipating not only an embargo on imported goods from the UK, but the scarcity of production.

Irving Press, who began working in the family business shortly after leaving law school in the early 1930s, comes up with the solution of creating odd separates (a sportcoat and trousers) to be worn in lieu of a full suit to offset the shortage of materials.

On the home front, most of the Princeton, Harvard and Yale customers and sales associates are drafted or enlist into the Army in 1940.

The Department of War (now Department of Defense) grants Jacobi and Irving the license to tailor military uniforms. At the time, Yale has the largest officers training school of universities on the East Coast therefore it was not just students at Yale who buy their uniforms at J. Press, but men from all over America who are in Officer training school.

1950s

The Ivy Heyday

A Family Affair

The 1950s come to represent modern menswear as we know it today. Known as the "heyday" of Ivy League style, the mid-to-late 50s encapsulates traditional American menswear details that are still fashionable today, and J. Press truly solidifies itself as an heirloom brand; clothing that you pass on to your children and your children's children.

J. Press's visionary, Jacobi Press, passes away in 1951 at the age of 71, leaving his two sons Irving and Paul as Chief Merchandiser and Chief Financial Officer, respectively.

At the end of the decade, Richard Press (son of Paul and grandson of Jacobi) enters the family business and becomes Manager of the New York store.

Ivy League style leaves the campus of exclusive universities and becomes a huge craze throughout America. The phrase "The Ivy League Look" is featured in publications like LIFE magazine and marketed in major department stores, showcasing the styles made famous by university tailors such a J. Press.

1960s

The J. Press Brochure

The Sartorial Sixties

In a decade marked by individuality, J. Press thrives in the early 1960s as a new market of Americans is reached through the famous J. PRESS Brochure and traveling exhibits and trunk shows.  

A swift shift in fashion mirroring politics of the time ushering in the "Peacock revolution."  Bright colors and patterns infiltrate Carnaby Street in London thus influencing American fashion.  J. Press introduces an explosion of color and wider lapels, ties and trouser legs while still maintaining the Ivy League aesthetic.  Variations on a theme are birthed from this mélange of influences and, in the late 1960s, J. Press ventures west and opens a new location in Union Square of San Francisco.

1970s

Ametora

Changing Times

As the nation struggles to recover from the unrest of the Vietnam War, J. Press continues to offer classic menswear in a market changing fast with new fads in response to the counterculture of the late 60s.

In a now famed visit from an Onward Kashiyama employee in 1974, the interest in licensing American menswear is piqued when said employee returns to Tokyo with every style of a sportcoat in his size. 

With many baby boomers entering young adulthood, the interest in J. Press is very high, and a licensing deal is struck to sell in the Japanese market.  J. Press becomes the first classic American menswear brand to license in Japan.

1980s

Onward Kashiyama

J. Press Goes International

Much like the decade itself, the 1980s for J. Press sees a world of change starting with the closing of our San Fransisco outpost, and a fresh new retail location in the heart of Downtown Washington, D.C. to serve a wider of range loyal customers. 

After a continued, successful licensing deal with Onward Kashiyama in the mid 70s, J. Press is purchased from the Press family in 1986 by Onward.  Mr. Richard Press continues his position as President for the remainder of the decade, eventually retiring in the early 1990s.

1990s

Style Casualties

Maximalist and Minimalist 90s

From the oversized logo craze of the early 90s, to the minimalist neutral color palette at the end of the 20th century, J. Press maintains a firm grasp on the fundamental elements that define the brand: quality American menswear made in the United States.

With many work places introducing the phrase "Business Casual" into their dress codes,  J. Press remains a staple for classic casual sportcoats and trousers in navys, browns, and charcoals.  

2000s

J. Press celebrates 100 years of business and continues to be iconically linked to a new generation of young, educated men in films like 21 and television's Gossip Girl.  

In Gossip Girl, Ed Westwick's character Chuck Bass lives on the Upper East Side of Manhattan, and costume designers needn't have looked any further than our Midtown location as an obvious retailer of choice for the fictional character. 

One accessory in particular, the J. Press Silk Patchwork Polka Dot Scarf, has become a piece of iconography amongst fans, and developed a cult-following.  The requests for the "Chuck Bass scarf" still persist years after the series ended.